I’d Like a Life Sentence, Please. There will be SPOILERS. It established a rock solid foundation in season 1 and season 2 uses it to go bigger in a number of ways, most notably expanding the show’s tonal range and bolstering the arcs of almost every single major character. There’s a lot going on and often it’s too much to cover with a proper script structure, but the ladies of Litchfield are so likable and dynamic that every single ounce of material has value. Whether it’s creating a more complex character, furthering along a key narrative or even just there for a laugh, the large majority of Orange is the New Black season 2 is comprised of scenes, storylines and relationships that you don’t want to see end.–The Big, Bad Vee. Though Piper (Taylor Schilling) had her issues with Red (Kate Mulgrew), lost her good standing with Healy (Michael Harney) and wound up fist fighting Pennsatucky (Taryn Manning), Orange is the New Black season 1 didn’t have a full- blown villain. It was much more about adjusting to life in prison and discovering the lay of the land; rivalries were a matter of circumstance.

However, Vee (Lorraine Toussaint) is pure evil and scheming 2. The writers don’t just plop her down in Litchfield and reveal her intentions right at the start. Vee’s an insanely manipulative woman and just as she’s working Taystee, Poussey, Cindy. It’s easy to be swayed by Vee’s seemingly good intentions. She’s got cake, gives young Taystee a home, professes her dedication to taking care of her family and makes Suzanne (Uzo Aduba) feel loved. Things get a little hairy when she first starts her cigarette biz, but it’s prison; what’s the harm in indulging in a little contraband?

It may feel as though she’s showering you in kindness, warmth and opportunity, but deep down, she’s laying the groundwork to take control. It’s heartbreaking to see some of the show’s most lovable characters become a band of nasty lackeys and even more so when you see other characters suffer for it.

But even then, it’s tough to recognize how bad it’s gotten until Vee is at her absolute worst. At that point, there’s no reprimanding her, talking it through or compromising. They’ve got to get Vee out, and fast. It’s always a thrill when a hero beats a villain, but having such a well- timed transformation lead up to the reveal of Vee’s psychotic nature and the need to get her out of Litchfield immediately makes seeing all of our favorite inmates doing their part to achieve that an especially satisfying season ending.–A Brand New Piper. Piper is no longer the Litchfield newbie, Larry’s (Jason Biggs) fianc. Going to prison in season 1 completely turned her life upside down, but in season 2, she becomes a far more defined person and not because her circumstances incite change and growth, but rather because her own decisions do. Alex’s betrayal in the first episode doesn’t just affect Piper’s sentence; it changes who she is.

Find the latest film reviews, news and celebrity interviews from Empire, the world's biggest movie destination. Discover our new TV and gaming content. Institutional corruption and the sadistic side of power is a theme in both Orange Is The New Black and The Shawshank Redemption, though Shawshank's warden Samuel. Watch Orange is the New Black Season 1 episodes online with help from SideReel. We connect you to show links, recaps, reviews, news and more.

Unity, anger and a list of demands. The women of Litchfield have seized the spotlight, and they're not backing down until they're taken seriously. Orange Is the New. Diana Gabaldon just spilled some details about Outlander season 3 on Starz, and her upcoming ninth Outlander novel. Diana Gabaldon recently visited one of her. Season 5 of Netflix's 'Orange Is the New Black' will premiere this summer. Here are 10 spoilers we just learned about the upcoming season. There will be SPOILERS.. Orange is the New Black is over and simply put.

When Piper is shipped off to Chicago, she’s got a little more know- how, but it’s really just prison 1. She doesn’t want to start trouble, but she’s prone to it.

If she’s got to track down a cockroach in order to sleep at night, so be it. It’s always been about appeasing others to make life easier for herself, but after Alex screws her over, that changes. No more pity parties or cockroach hunts.

Piper isn’t vying for approval nor is she about to let another inmate push her around. If she wants some of Red’s hooks, she’ll take them. Soso (Kimiko Glenn) won’t shut up? Piper has no problem putting her in her place. She’s got more confidence and tenacity than ever, and she’s accomplishing a lot more because of it. The only major plot point that doesn’t keep up with Piper’s new drive is her decision to ask Healy to revoke her furlough.

Sure, it’s no fun knowing that everyone’s talking about you, but you have the opportunity to see your dying grandmother one last time and get a couple of days out of prison. Unless someone is threatening to kill her for it, having Piper try to forfeit her furlough is just ridiculous and marks a regression for the character.

But at least Healy gets a powerful speech out of it. Minus that misstep, season 2 boasts some very promising changes for Piper. It was fun getting laughs at her expense while trying to find her way in season 1, but it’s no longer just about doing her time and getting out. Piper’s learned lessons and now it’s time to make something of herself with them. If she continues on this path, it’s bound to lead to big changes for her and for Litchfield in season 3.–Flashbacks. The flashbacks were a double- edged sword throughout season 1, and the same is true here, too.

Simply put, we need them. You can’t have a show about women in prison and not wonder what they’ve done to land themselves in there. Perhaps you could have characters just come right out and say it or have someone stumble upon a load of inmate files, but going back to experience that got them their prison sentences in the first place gives a far more robust sense of who they were and why they are the way they are now. The better flashbacks are the ones that don’t just dish out character backstory, but also pertain to the matters at hand. For example, seeing a little Piper play by the rules right alongside an older Piper being asked to break a very big one gives us access to her decision- making process and lets us understand why she opts to take that risk.

Similarly, Taystee’s (Danielle Brooks) flashback in episode 2 serves as a necessary build for Vee’s big entrance and then also gives Taystee’s choices throughout the season context. Gloria’s (Selenis Leyva) flashback, however, doesn’t do much for the present- day narrative. There’s nothing wrong with the storyline itself.

It’s a very compelling representation of her desperation to maintain her business and keep her kids safe, but what she experiences in the past doesn’t help her deal with Vee in the present, and that makes the episode feel a little disjointed. Cindy (Adrienne C. Moore) finds herself in a similar situation. Her antics at the airport are amusing, but without having Cindy acknowledge what she’s done, what are we supposed to take from it? The moment we meet young Cindy in her flashback, she’s immature and irresponsible, and the same is true of her in the end. In the present, Cindy doesn’t even acknowledge that she’s got a kid.

If the past doesn’t add any new layers to the character, maybe it doesn’t deserve flashback. Season 3 will absolutely benefit from sticking to flashback sequences that directly pertain to what’s happening in the present, but there’s also no denying that even the most unnecessary flashback has appeal. Regardless of episode fluidity or whether the past enhances what we’re getting in the present, these segments are entertaining, so the show can get away with it. More on that in the final section.–Poussey Power. Watch Johnny English HDQ. There were some tough times in season 1, but generally, Poussey and Taystee’s friendship made for some of the most entertaining and heartwarming components of the show.

Seeing that destroyed in the second season is just devastating. Poussey is a good person and Samira Wiley makes you believe it, but everyone has a breaking point and we see hers in her flashback. She’s familiar with the frustration that comes with moving, but finding love and being forced to move again because someone doesn’t approve is another story. It isn’t fair and someone as loving and sensitive as Poussey doesn’t deserve it either. When she storms up to the German General to make her point, you’re behind her 1. One moment, you’re revved up, rooting for Poussey to prove her point, but the next, you’re hit with a shattering sense of dread that Poussey might be making the biggest mistake of her life.

There’s so much tension that the instant her father steps in, there’s no processing it; it’s emotion overload. Poussey is a strong person and is capable of going to extremes to stand up for what’s right and for the people she loves, but she can’t do it alone.

Kate Mulgrew Talks ORANGE IS THE NEW BLACK, Perfecting Her Russian Accent, and More. From Emmy Award- winner Jenji Kohan, creator of the hit comedy series Weeds, comes the 1. Orange is the New Black, available through Netflix on July 1. Question:  When you were cast, how much did you know about who Red was before prison versus in prison? KATE MULGREW:  I knew next to nothing. Not knowing who she was supposed to be, were there things you did or didn’t want her to be, going in?

MULGREW:  Yes. What sort of research did you do for this role? How difficult was it to find an accent that you would be comfortable with? MULGREW:  It was interesting about the accent. What is your favorite scene or moment, this season?

MULGREW:  I have a scene with . How was it to work with Jenji Kohan? His Prehistoric Past Movie Watch Online more.

MULGREW:  I’ve done a lot of television in life, and I don’t remember the last time that I felt so consistently happy. Orange is the New Black is available on Netflix on July 1.